Friday, August 29, 2025

Not the Face of This - Social Commentary on Emma Heming Willis

There are lines, and there are choices


People are talking about Emma Heming Willis’s interview with Diane Sawyer. Some are going to town on the contradictions — what she’s said before, what she’s done, what she’s doing now, and her role as an advocate for FTD. This is what I have to say about it, in no uncertain terms. Agree with me or not, this is my take. And it’s an informed one.

Not the Face of This

I can see both sides of this. And I’ll say plainly: if I could, I’d hire more help for my father. If I could, I wouldn’t be a solo family caregiver. If I had the resources, we’d have round-the-clock professionals. Most of us didn’t choose this setup — we adapted to it. For those of us already living with the person we care for, the dynamic is different. This was our home. To move them out is the same as placing them in a facility. If Emma had moved herself and her kids elsewhere, that would’ve been her leaving — taking the children and, in effect, abandoning him to others. That’s not judgment. That’s just the shape of the choice.

Emma had her husband placed. That is the reality of it. Not in a nursing home or care facility, but placed, elsewhere. It is the same exact thing.

There’s a fine line here, and most people miss it. Emma isn’t a family caregiver, and never was. She’s married to someone with FTD (Frontotemporal Dementia), a neurological disorder that affects behavior, speech, and personality. It’s not Alzheimer’s. It’s not a flower delivery service. Emma Heming Willis isn’t a family caregiver. She’s a spouse. That’s not semantics — it’s structure. It’s the reality. She’s done some caregiving, yes — but that doesn’t make her his caregiver. Wanting to be one, trying to be one, even saying she is one — none of that makes it so. Living with someone who has dementia and handling some of their needs doesn’t automatically make you their caregiver. Not in the way that word means something to those of us who live it.

Yes, she’s contradicted herself. That’s human. But she shouldn’t be the face of this. Not of FTD, not of dementia, not of caregiving. Her inconvenienced life doesn’t give her that authority. The deeds don’t weigh enough. She kept working, kept traveling, kept doing interviews. She had help — nurses, caregivers, support. And now she’s writing a book about it all, while not doing it. She moved him elsewhere. She showed her real self before the diagnosis, when she spoke about his coldness and how it made her feel. And that’s the thread: it’s mostly about how she feels. Not how he feels. Not the depth of what caregiving actually is.

And let’s not forget what she said before the diagnosis: “How can I remain in a marriage that doesn’t feel like what we had?” That wasn’t a passing thought. That was contemplation — of leaving, of redefining the relationship, of stepping away. After the diagnosis, yes, she overhauled their lives. She halted playdates, stopped sleepovers, said “I isolated our whole family, and that was by design.” But the emotional exit had already begun. That quote fills in a lot of blanks.

It tells me this wasn’t a caregiving pivot — it was a continuation of emotional distance, now reframed by circumstance. The diagnosis didn’t create the rupture. It gave it a name, a reason, and eventually, a public-facing narrative. But the core question — how can I stay in this marriage — was already there. And that matters.

If I could, I’d have others doing most of the work. But I’d still be here. I’d still have my own life. And I wouldn’t be writing about caregiving — because I wouldn’t be the one doing it. I’m not so self-oriented that I’d claim that role. My story would be about writing the checks, mopping up a spill or two. That would be my truth. I’d write about how I felt, yes — but not as a caregiver. Not as the face of anything. It would be about me. And the only reason anyone would care to read it is if I were famous, or married to someone who is.

That’s the truth of it. I don’t fault Emma for doing what she’s doing — except for writing a book she has no business writing. She’s famous because her husband is famous. And I don’t care what she has to tell us, because what she’ll say is: I hired caregivers, moved my husband elsewhere so the kids and I could remember him as he was. Which is just another way of saying: out of sight, out of mind, out of our hair. Back to playdates, no bedpans, no being reminded daily how sad it is our LO isn't who he used to be. Life isn’t as it used to be. We can feel sad, we are sad, but not sad enough to keep him at home or see him every day. See? I bought a house close to here, for him, so we didn’t place him in a facility. We care. We almost see him as often as his ex-wife and her kids. And how do I feel about it? Read the next chapter of my book.

Because that’s the privilege — not just having options, but having the space to feel about things more than you actually have to do them. It’s advocacy from the outside, from a curated distance, from a quiet home where you can sip tea and contemplate the plight of others down in the trenches — without ever having lived in them yourself.



Saturday, August 23, 2025

The Human Buffet - A Poem of Undesired Reflection

Symbolic buffet table with faceless crowd in background, representing judgment and objectification. Visual companion to the poem “The Human Buffet” by M.W. Van Dyke.

A poetic indictment of judgment disguised as taste, and the quiet dignity of those who refuse to be consumed.



The Human Buffet
Poem and Reflection by M.W. Van Dyke

They can shame my body.
They can attack me, verbally.
Yet here I remain, standing.
Unbowed and unashamed.
Their words do not shame me.
They are only disclosing their own perversions,
Because I never thought of them in that way.

They look at people like meat.
Not with hunger for connection,
but with appetite for judgment,
based on a craving of another type.

“She's too fat!”
“I could never get with him!”
As if their taste defines someone else’s worth,
and value to the world.
Not just for consumption,
in the back alley, or the backseat.

They don’t want to eat every dish—
just to announce what they’d never touch.
It’s not preference.
It’s performance.
A cruelty disguised as critique.
A libido unrefined,
and unrestrained.

The man they mock never looked at them.
The woman they body shamed never even noticed them.
Never considered them.
Never invited their gaze.
Yet they salivate.
Not from desire,
But from the lack thereof,
And that stimulation they so actively crave.
They judge and they attack, based on that lack.
Yet it is also—
To draw away from themselves such casual,
and precise considerations
of perfections no one ever has,
and never considering that...
taste doesn't always go both ways.

We approach those we are attracted to,
And we hope that attraction is returned,
That interest is returned. Even that curiosity.
When it is not, we sigh, and go on about our day,
Though it might take us a month or a year.
That is natural, and unprofaned.
And those who cannot, who must shame and have their say,
They will always be that way, to their last unhappy, bitter day.
They carry a maturity that never actually matured.
And claim a gravity that not every body feels the pull of.

When we shame, we really say,
Look at them. Not at me.
And the truth of it is,
There is nothing there much to see.


Copyright 2025 M. W. Van Dyke
All Rights Reserved


Thursday, August 14, 2025

Breakfast at Night, Due to the Light - A poem of the caregiver, late in the night

Every morning has a pre-dawn

 
Breakfast at Night, Due to the Light

A poem of the caregiver, late in the night

At 3am sharp, his lamp came alive —
A shuffle, a mutter, a half-hearted drive.
“I might go pee,” he said with a yawn,
Then turned off the lamp like the moment was gone.

But it was not over, and again came the glow —
“Where are my teeth?” in a pondering show.
I fetched them with grace, and he put them in,
Then he laid back down, and asked to be covered again.

But no, not yet. The lamp strikes again!
A third act begins in this caregiving playpen.
I asked him what gives, and he replied, forgot,
So I said, “A sandwich, perhaps? Coffee! It’s hot.”

Chicken salad, potato delight,
Deviled macaroni at first morning light.
He eats like a finicky cat while I look at him close,
And wonder that sleep is what I always miss most.

And I stepped out to get coffee for me —
Sleep deprivation caused that plea.
I returned in a bit to check on the scene,
The sandwich sat quiet, the salads pristine.
“I’m not that hungry,” he said with a sigh,
And I nodded, too tired myself to even ask why.

It’s the ritual, the attempt, the hope and the try,
The flicker of care when the night passes by.
And though sleep escapes me, and silence is rare,
I’d do it again. Because I am always there.


Copyright 2025 M. W. Van Dyke
All Rights Reserved

Wednesday, August 13, 2025

The Midnight Visitors - from Poems of the Truths of Me

The night is not always alone



The Midnight Visitors
from Poems of the Truths of Me


Every third week at midnight—
give or take a day, or a month—
I miss the people from my past.
Not always the same ones.
Not always the same aches.
Not always the same love.
Not even always the same attachments.
But they come.
They don’t knock.
They don’t speak.
They just arrive—
in the quiet,
in the corners,
in the weight behind my eyes.

I let them stay.
For a few hours.
No bargaining.
No dramatics.
No honest recriminations.
Just presence.

And then, at 6AM,
I return.
To the here.
To the now.
To the work, to the living life,
to the breathing— 
when the subtle sadnesses dry from my eyes.

It’s not forgetting.
It’s not denial.
It’s rhythm.
It’s survival — Mine.

I am a man,
And a man of my times,
Born and bred and trained—
The boy who became the man, silently.

I do not break away tears free and clear.
My floods arrive
In the darkness, in silent valleys of the mind,
Where memory and sentiment rise unbidden,
In moments where no one knows
Where I am—
Or if I am.

Still, yes, I am who I am,
And always will be, me.
The midnight visitors know this,
See what no one else is permitted to see,
And then they leave me, in peace.
Eventually.

Perhaps those midnights travel with the moon,
For there are midnights of every living day.
I can endure the once-in-a-whiles,
Because they are not every living day.
I am not haunted. I am visited —
by the midnight visitors.
And therein lies the truth of me.


Copyright 2025 M. W. Van Dyke
All Rights Reserved